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Hiraeth

by Gavin Douglas

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    Hiraeth is Welsh word, which doesn't translate into English very well, It's a feeling of longing for the place you come from, even if you're not from that place.
    When I was 8 years old, I moved from London to North wales, where my father had set up a small engineering company.
    It was magical to see the Clwydian Hills, and the stars.
    This was the inspiration for the song "Back Home" on the album.
    I started to play guitar when I was 12, and joined my older brothers band for a school dance when I was 13.
    We played covers in the local youth club and school dances.
    I didn't do well at school, and left to work on a farm when I was 16.
    I saved up £200 and had an offer from some school friends, who were at University in London, to move down and stay with them to try and pursue a career in music. This was in 1976.
    I would buy the local music papers, Sounds, and NME looking for musicians.
    I spent the next 6 months going to auditions, but none of the bans appealed to me, until one day I saw an ad saying that "The Nips" were looking for a guitar player. I bought a Fender Tele Custom and a Vox AC30.
    The audition was in Covent Garden, in a dingy, basement rehearsal studio.
    Something gelled, a young woman with blonde hair was playing some brilliant melodic bass lines, it was the one and only Shanne Bradley. A guy with big ears was screaming down the mic, This man was Shane McGowan, famous for having his ear bitten off at an early Clash gig.
    After the audition, the band went out with the manager, whilst I sat waiting nervously.
    After a while they came back in and the manager told me that I had the job and that our next gig was in 2 weeks at The Rainbow Theater, opening for "The Jam"
    This was like a dream come true, as I had been listening to The Jams first Album "In The City" just a few months ago and now was up on stage supporting them.
    We also supported The Damned, The Clash, Dexys Midnight Runners, as well as many gigs with The Jam and a tour with mod band The Purple Hearts.
    In 1980 we recorded a single called Gabrielle and B side Vengeance, which stayed ant number 1 in the NME indie charts for many weeks, it also got some radio 1 plays.
    A few weeks later Paul Weller invited us into Polydor studios as he wanted to produce a demo for Polydor,
    We had a new drummer and recorded 4 songs, No Body To Love, Happy Song, which got bootlegged and released as a single. The 2 other songs that we recorded were Ghost Town which and Venus in Bovver Boots.
    We later found out that Polydor wanted to sign us up.

    After 2 years we got a residency at Billys Club in Soho. There was a lot of tension after the gig and I announced that I was Leaving, and so did Shane and bassist Shanne.
    Our farewell gig was at the Rock Garden in Covent Garden where we got heckled by a mob of rockers shouting out for rock & roll, so we did an impromptu version of The Glitter Bans song Rock & Roll!.

    Shane was getting a new band together to do Irish Rebel songs, which was to become the Pogues, he asked me if I wanted to join, but I declined.
    I had really got into jazz and bought a cheap plywood Double Bass and was doing workshops and having lessons from a great teacher.
    I joined a soul band called blivet, we recorded a live gig, I got the horn players together and we had a Hammond Organ as well.
    I sent a demo to Paul Weller, who had just formed The Style Council. He really liked it and gave us some free studio time at his new studio called Solid Bond.
    We rehearsed every day and did a few gigs but unfortunately our manager was a waste of space and it came to nothing.
    I then joined Meryn Africas 13 piece band, and gigged a lot in London, he was an amazing piano player who had come over from Cape Town because of apartheid
    For the next 10 or so years I made a living with a duo doing covers on the Irish pub and working mens club circuit, we were out playing 5 nights a week and a lunch time and evening gig on Sundays.
    In 1984 my Father died so I got on the first train to see my mother in Alnwick, Northumberland and ended up staying and met my wife to be.
    I trained as a forestry work, gave up music and worked in the woods.

    In 2004-5 I did a Music Production and Technology HND course at Newcastle College, where I met a young guy called Theo Rist, who was already a wizard on Cubase. When we finished the course, we continued to work together when he got a job as producer at PFL Studios in Berwick Upon Tweed.
    We recorded an EP called Too Much Information and the B side was a song called The Girl With Green Eyes. We have compiled all the best of the older tracks onto an album called "Corstopitvm" and available on iTunes.

    It was nearly 3 years ago when my mother was diagnosed with Alzhiemers Disease and cam to live with us.

    She died 2 years ago and I started writing and recording again.

    The track called 'Speedway" on the new album is dedicated to her.

    The track listing on the new album called Hiraeth is:

    1) The Lothian Girl - which I wrote at Shane MacGowans old family house in County Tipperary
    2) The Meadows of Roscommon, which I wrote after reading the book "A Drink With Shane MacGowan"
    3) Just For Today - is basically the first five steps of the 12 step program of AA.
    4) Back Home - A song about growing up in The Clwydian Hills in North, where we moved to when I was 8. It's about a girl called Nan, who I went to primary secondary school together. My first "GF"
    5) At the 70's Disco - As I mentioned before we had a band in our teens, and this is about an encounter at the local disco with a later GF!
    6) Show The Light - a Phsycodelic Rocker
    7) Speedway - the song I wrote for my mother who came from a big Catholic family from Wimbledon
    8) Emily - the only cover on the album, written by Johnny Marcel & Johnny Mercer. A jazz standard from the movie "The Americanization of Emily"
    9) Underneath The Waning Moon - I was having a little holiday in Llangollen, and met this giri, but had to go back to London to finish a session that was booked with Paul Weller.

    All guitar, bass and lead vocals by Gavin
    Production, mixing, mastering BV's and keyboards by Theo rist
    Featuring Roddy Mathews on fiddle,
    James tate on piano
    Sam Price drums on Emily.

    All songs, Except Emily, (words & music by Johnny Mercer and Johnny Marcel) written by G. Douglas - C October 2017-10-11

    Includes unlimited streaming of Hiraeth via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ... more
    ships out within 2 days
    edition of 50 
    Purchasable with gift card

      £10 GBP or more 

     

  • Compact Disc (CD) + Digital Album

    Comes in a lovely gatefold card case, with artwork by Ceri Jones.

    Includes unlimited streaming of Hiraeth via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days
    edition of 50 
    Purchasable with gift card

      £10 GBP or more 

     

  • Compact Disc (CD) + Digital Album

    Comes in a lovely gatefold card case, with artwork by Ceri Jones

    Includes unlimited streaming of Hiraeth via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days
    edition of 50 
    Purchasable with gift card

      £10 GBP or more 

     

1.
Well I went across the water, to try and find an Irish Coleen, Now I'm sitting here in Tipperary, sipping the old Pocheen, The old jam jar is empty, but the bottle's always full, Trying to forget you, but my thoughts are always on you. I cannot get to my love, a wall of water lies between, I cannot get to my love, far across the deep blue sea. Well the Dublin girls have locks like coal, and eyes that shine so blue, But I ne'er saw any that did compare to one as bonny as you, The Lothian Girl e'en as fair as The Rose of Tralee, Far across the water, maybe she's thinking of me? I cannot get to my love, a wall of water lies between, And I cannot put down the bottle of cursed old Pocheen.
2.
In the new age Celtic twilight, the dawn of stories about stories, The poets and the mystics, invoke the gods of ancient glories, Not the heroes of the people, who sand their praises around the fire, But the stories told over table cloths, Turning gold back into stone. On the meadows of Roscommon, the stones still stand alone, With their secrets carved in Ogham,In words that no-one knows, And as the twilight fails, on the heroes and the kings, I hear the strains of sadder songs, that no one ever sings. Their crawling through the forest, collecting flowers in the dew, And holding uo the sword, that never saw a fight, And the myths that that know no time, Are reeling in their heads, Spewing romance over coffee cups, Whilst the souls of pagans cry. On the slopes of ancient Tara, the battlements will fall, Wisdom lies in ruins, 'amongst the Bria and the thorn, And as the twilight falls, on the heroes and the kings, I hear the strains of sadder songs that no-one ever sings.
3.
Well I don't go out a drugin' and I don't do no more drinking, Cos I knew I had to change my ways, is quit that stinking' thinking, Don't try to run on self will, all I do is make myself ill, And get down on my knees and pray. Well I went to a meetin' there were folk there sittin" greetin" * An old timer said to me, "now boy just keep it simple" Don't pick up the first drink, keep comin' back to meetings, Get down on your knees every day. If you think there's an easier softer way, Then just get down on your knees and pray, Cunning, baffling and powerful so they say, You can do it just for today. we admitted were powerless, and our lives were just a big mess, Then we came to and saw we were insane, So next we decided, even got quite excited, Cos we knew that God was on our side. After that we went and made a big list, of all the golf that made us feel pissed, And we saw where we'd been wrong, blaming others for our troubles, So we admitted to our selves that we were to blame, Then we got down on our knees to pray. f you think there's an easier softer way, Then just get down on your knees and pray, Cunning, baffling and powerful so they say, You can do it just for today.
4.
Back Home 03:44
Well I grew up in the Clwydian Hills, In those long summer days, with the evening chills, When I started school we spoke Yn Cymraeg, sometimes we laughed, and sometimes we cried, I didn't like the teacher cos he flicked my ear, But I Never ever felt that I had any fear. How I miss that valley so fair, breathing in the. sweet mountain air, And many a day I would spend up there, thinking of that girl with the long brown hair. That summer so long, With the endless bird song, Bring me back home........to where I belong. Then I met that girl and her name was Nan, She had two sisters, Ceri and Rhian, Away we used to walk both hand in hand, up the sunny mountain side, all over that land. But then came the dat when my brother formed a band, Back in'72 when we played and we jammed, Then I had to choose between my guitar and my girl, Cos my Daddy always told me that my oyster was the world. How I miss that valley so fair, breathing in the. sweet mountain air, And many a day I would spend up there, thinking of that girl with the long brown hair. That summer so long, With the endless bird song, Bring me back home........to where I belong.
5.
You wore a tank top and a flowery blouse, High waister loon pants and your platform shoes, You looked so pretty with your feathered hair, At the 70's Disco. You called me over and we had a dance, Think it was Mud - Tiger Feet, Or Ballroom Blitz, by The Sweet, At the 70's Disco, Got you a coke and we sat down, laughed at the people fooling' around, The DJ's playing Ride A White Swan, At the 70's Disco. You had a quarter bottle of Gin, You took a swig and so. did I, Then we lay down on the dewy grass, Outside the 70's Disco. I held you close to my racing heart, thought it was love but it went so quick, Then we walked back along the winding street, Back to the 70's Disco. You in your tank top looking so fine, high waister loon pants and your platform shoes, We made a date to met next time, At the 70's Disco.
6.
When I send these words to you, do you understand what I'm saying? Have you ever been really blue, I mean so low you feel like praying. Baby, I've been thinking about you, don't regret the past, I think you knew. Every time I think of you, it brings a memory to my mind, Every time that I'm with you, clouds pass away and show the light. Never sent that letter to you, Perhaps that's best, I don't know, I'm happy now and not so blue, Not trying to run the whole show Baby, I've been thinking about you, don't regret the past, I think you knew. Every time I think of you, it brings a memory to my mind, Every time that I'm with you, clouds pass away and show the light.
7.
Speedway 03:22
You used to like to watch the speedway, at least that's what I'm told, On the racing track in Wimbledon, Somewhere near the CromwellRoad, There was 7 of you in that terraced house, living with your mum and dad, And I remember well the stories you told, when I was just a lad. Grandma brought you up so well, in the faith that she believed, I was baptised in Our Lady Queen of Peace, Who was always there in times of need. You used to say the Rosary, softly underneath your breath, You still remembered that prayer, right up till the hour of death, Mother dear, your still so near, at your bedside when I said "I Love You" I knew these were the words That you needed to hear so well. Grandpa always worked so hard, he was always fixing cars, At that terraced house in Wimbledon, as you watched hime from afar You used to like to watch the speedway x3
8.
Emily 04:30
Instrumental
9.
I left her on a hill side, the heather was in bloom, and we sat down by the burnside underneath the waning moon, So I went back to the city, I couldn't call my home, I'm no stranger to her dark streets, Nor the dock yards where I roamed. Many days have passed, you fade away, You're just another dream. As I walked out that morning, that fine morning back in June, I remembered when we sat down underneath the waning moon. Well it didn't take me long, to find another job, Playing in a show band, just to earn a few bob. I still had that old guitar, an American Fender Strat, Playing Whiskey in the jar, I knew where I was at. Many days have passed, you fade away, You're just another dream. As I walked out that morning, that fine morning back in June, I remembered when we sat down underneath the waning moon.

about

This album started when my mother died of Alzheimer's disease, and I wrote a song about her, and kept writing until I had a whole album.
Hiraeth

Hiraeth is Welsh word, which doesn’t translate into English very well, It’s a feeling of longing for the place you come from, even if you’rere not from tat place.
When I was 8 years old, I moved from London to North wales, where my father had set up a small engineering company.
It was magical to see the Clwydian Hills, and the stars.
This was the inspiration for the song “Back Home” on the album.
I started to play guitar when I was 12, and joined my older brothers, who played bass, band.
We played covers in the local youth club and school dances.
I didn’t do well at school, and left to work on a farm when I was 16.
I saved up £200 and had an offer from some school friends, who were at University in London, to move down and stay with them to try and pursue a career in music. This was in 1976.
I would buy the local music papers, Sounds, and NME looking for musicians.
I spent the next 6 months going to auditions, but none of the bans appealed to me, until one day I saw an ad saying that “The Nips” were looking for a guitar player. I bought a Fender Tele Custom and a Vox AC30.
The audition was in Covent Garden, in a dingy, basement rehearsal studio.
Something gelled, a guy with big ears was screaming down the mic, This man was Shane McGowan, famous for having his ear bitten off at an early Clash gig.
After the audition, the band went out with the manager, whilst I sat waiting nervously.
After a while they came back in and the manager told me that I had the job and that our next gig was in 2 weeks at The Rainbow Theater, opening for “The Jam”
This was like a dream come true, as I had been listening to The Jams first Album “In The City” just a few months ago and now was up on stage supporting them.
We also supported The Damned, The Clash, Dexys Midnight Runners, as well as many gigs with The Jam and a tour with mod band The Purple Hearts.
In 1980 we recorded a single called Gabrielle and B side Vengeance, which stayed ant number 1 in the NME indie charts for many weeks, it also got some radio 1 plays.
A few weeks later Paul Weller invited us into Polydor studios as he wanted to produce a demo for Polydor,
We had a new drummer and recorded 4 songs, No Body To Love, Happy Song, which got bootlegged and released as a single. The 2 other songs that we recorded were Ghost Town which and 1 more, which I can’t remember.

After 2 years we got a residency at Billys” Club in Soho. There was a lot of tension after the gig and I announced that I was Leaving, and so did Shane and bassist Shanne.
Our farewell gig was at the Rock Garden in Covent Garden where we got heckled by a mob of rockers shouting out for rock & roll, so we did an impromptu version of The Glitter Bans song Rock & Roll!.

Shane was getting a new band together to do Irish Rebel songs, which was to become the Pogues, he asked me if I wanted to join, but I declined.
I had really got into jazz and bought a cheap plywood Double Bass and was doing workshops and having lessons from a great teacher.
I joined a soul band called blivet, we recorded a live gig, I got the horn players together and we had a Hammond Organ as well.
I sent a demo to Paul Weller, who had just formed The Style Council. He really liked it and gave us some free studio time at his new studio called Solid Bond.
We rehearsed every day and did a few gigs but unfortunately our manager was a waste of space and it came to nothing.
I then joined Meryn Africas 13 piece band, and gigged a lot in London, he was an amazing piano player who had come over from Cape Town because of the partied
So for the next 10 or so years I made a living with a duodoing covers on the Irish pub and working mens club circuit, we were out playing 5 nights a week and a lunch time and evening gig on Sundays.
In 1984 my Father died so I got on the first train to see my mother in Alnwick, Northumberland and ended up staying and met my wife to be.
I trained as a forestry work, gave up music and worked in the woods.

In 2004-5 I did a Music Production and Technology HND course at Newcastle College, where I met a young guy called Theo Rist, who was already a wizard on Cubase. When we finished the course, we continued to work together when he got a job as producer at PFL Studios in Berwick Upon Tweed.
We recorded an EP called Too Much Information and the B side was a song called The Girl With Green Eyes. We have compiled all the best of the older tracks onto an album called “Corstopitvm” and available on iTunes.

It was nearly 3 years ago when my mother was diagnosed with Alzhiemers Disease and cam to live with us.

She died 2 years ago and I started writing and recording again.

The track called ‘Speedway” on the new album is dedicated to her.

The track listing on the new album called Hiraeth is:

1) The Lothian Girl – which I wrote at Shane MacGowans old family house in County Tipperary
2) The Meadows of Roscommon, which I wrote after reading the book “A Drink With Shane MacGowan”
3) Just For Today – is basically the 12 steps of AA
4) Back Home – A song about growing up in The Clwydian Hills in North, where we moved to when I was 8. It’s about a girl called Nan, who I went to primary secondary school together. My first “GF”
5) At the 70’s Disco – As I mentioned before we had a band in our teens, and this is about an encounter at the local disco with a later GF!
6) Show The Light – a Phsycodelic Rocker
7) Speedway – the song I wrote for my mother who came from a big Catholic family from Wimbledon
8) Emily – the only cover on the album, written by Johnny Marcel & Johnny Mercer. A jazz standard from the movie “The Americanization of Emily”
9) Underneath The Waning Moon – I was having a little holiday in Llangollen, and met this giri, but had to go back to London to finish a session that was booked with Paul Weller.

All instruments played by Gavin
Production, mixing, BV’s and keyboards mastering by Theo rist
Featuring Roddy Mathews on fiddle,
James tate on piano
Sam Price drums

All songs, Except Emily, written by G. Douglas – C October 2017-10-11

Working on the artwork and credits now but soon to be available on iTunes & Google Music.

credits

released October 16, 2017

Gavin Douglas - Lead Vocals, all guitars, electric and double bass.
Theo Rist -BV's, Mellotron and synths.
Roddy Mathews - Fiddle.
James tate -Piano
Sam Price - Drums

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